We did it. We played our first concert. My band, mockART, finally took the stage.
Our performance, traffic || jammed, was part of the Rush Hour Kulturfestival, organised by the Heussenstamm Stiftung. The theme was traffic, so we crafted an exclusive set around the sounds of urban life. We composed pieces that captured the essence of cars, bicycles, pedestrians, trains, and even the underground – giving each a musical identity within the chaos of rush hour.
We wanted to push the concept further, so we incorporated real-world sounds from traffic, sampling noises and even building instruments from car parts. A bicycle became an instrument in its own right. Alongside these unconventional sounds, Christoph played the flute, while I handled guitar and electronics. We were also joined by a special guest: Ümit Kaya, who played the saz and added his evocative vocals. You might know Ümit from our track Kör Adamın Gazeli on the album Men Who Lost Their Heads. From the outset, we hoped he’d join us for the live version, and when he came to our rehearsals, he began to play along with the new material we’d composed specifically for this performance. Before long, he was fully integrated into the show.
Our rehearsals went smoothly – until the final one, which was a complete disaster. My effects pedals started malfunctioning, and Christoph faced issues with his equipment too. Frustrated, we decided to call it a day, only to be trapped by a sudden thunderstorm with torrential rain. With no food or drink, we waited it out in the rehearsal space until we could finally ride our bikes home, drenched but determined. I was worried that something might go wrong during the actual performance. Thankfully, my fears were unfounded – everything went off without a hitch.
The team at the factory hall where we performed had set up the space beautifully, even placing a car on stage as we’d envisioned. The audio and lighting crew were fantastic, helping to create the perfect atmosphere for each piece, with carefully crafted lighting and stage fog to match the mood of each track.
The new songs we wrote specifically for the show were the heart of the set. They came alive in a way I hadn’t anticipated, flowing effortlessly as we responded intuitively to each other’s cues. The chemistry between us felt just right.
For the encore, we revisited La Bête Noire from Reflux Ux Bisou – which, I suppose, has become something of a mockART classic. Our final track was Kör Adamın Gazeli, and some in the audience told me afterwards that the live version gave them goosebumps – a high compliment indeed.
If you follow me on Instagram or Facebook, you may have already seen a few snapshots from the show. I’ve put together a selection of the best photos taken by Christian Rocas for you to enjoy:























We also made an audio recording of the performance, which we should receive by the end of the week. There will still be some mixing to do, but I’ll keep you posted on when and how we plan to release it.
Thank you to everyone who came out to support us. It was an unforgettable night, and I can’t wait to share more with you soon.










52 responses to “traffic || jammed: mockART Live”
Congratulations, Rabirius! Best wishes moving forward with your band. 👍🏻😎
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Thanks a lot!
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Congratulations! A splendid time is guaranteed for all!!!
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Thanks a lot!
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Happy for you and your bad! Way to go! Best wishes in all your shows!
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Thanks a lot for your words!
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I meant *band. Sorry for typo. Perhaps I was overzealous! lol
You are welcome 🙂
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No problem. Something like that happens to me as well. 🙂
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Thanks! ☺️
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🙂
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Ik wens je veel succes met je muziek groep 🎸👍
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Hartelijk dank voor de felicitaties.
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El infierno está cerca? Bien Rabirius. El efecto deseado salió de la mejor.
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Muchas gracias, Manuel.
Bueno, el tema era el tráfico. Creo que depende de dónde estés. En algunos sitios el tráfico puede ser un infierno. 🙂
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Lo describes también como tú composición fotográfica.
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🙂
Muchas gracias.
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I’m certainly glad it all worked. That is a gratifying experience when things go well. Thanks for sharing. Rabirius.
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Thanks a lot, John.
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😊
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Well done so pleased everything went well with the actual event. It looked awesome.
Congratulations to you all.
A dream realised, ready to expand into more dreams.
Brilliant 👏 👏 👏.
Great ambience on the set.
Wishing you all the best for the future. Xx ❤️
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Thank you so much for your words, Sue.
Yes, we are also glad that everything went well. And we will publish the recording of the music soon.
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Wonderful x ♥️
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Thanks again.
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Looks good. It’s a unique subject matter. When I had a second look. I see some very new hidden world, wants to come in light. Congratulations.
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Thank you. Yes, we tried to create an immersive experience with the music, the light and the decorations.
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Tolle Bilder, lieber Rabirius. Bin überzeugt, das wird was Gutes. Wünsche dir und der Band viel Erfolg.
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Vielen Dank für Deine Worte, Ernst.
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Gratulation für das wohl gelungene Konzert, lieber Rabirius.
Weiterhin alles Gute für deine Band wünschen
The Fab Four of Cley
🙂 🙂 🙂 🙂
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Vielen Dank für die Wünsche!
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Great! Congrats!
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Thanks a lot!
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Congratulations!!! I might not understand the words, but I really like the sound of your music!🎶
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Thank you so much, Tiffany.
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Oh congratulations! This looks amazing. I’m listening to La bête Noir right now and look forward to hearing more. The whole staging of it looks fabulous, and Christian took some great photos.
Alison
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Thank you. I’m glad that you like how we staged our performance.
I’m waiting eagerly to get the recorded audio. Then I have to put it together, etc. But when we publish it, I will post something here.
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mijn hartelijke gelukwensen Rabirius
geniet van het succes
groeten
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Dank je wel, Willy.
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Congratulations … how awesome!
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Thanks a lot!
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You’re welcome. 👍🏻😎
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Thanks again.
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This is very cool, Rabirius ~ you fit the bill of a modern day Renaissance man.
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Thanks a lot for your compliments!
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Herzlichen Glückwunsch zu eurem ersten Konzert, Rabirius und mockART! Es ist beeindruckend, dass ihr so ein kreatives Konzept rund um das Thema Verkehr entwickelt habt. Die Idee, die Klänge des urbanen Lebens musikalisch einzufangen und auch Alltagsgegenstände wie Fahrräder und sonstige Geräusche in eure Performance einzubeziehen, ist genial!
Ich kann mir gut vorstellen, wie interessant und spannend es war, die verschiedenen Klangfarben von Autos, Fußgängern und Zügen passend zu und in eure Musik zu integrieren. In Kombination gibt das dem Ganzen eine ganz besondere Atmosphäre und klingt zusammen mit Christophs Flötenspiel, deiner Gitarre und den elektronischen Elementen nach einer aufregenden Kombination!
Vielleicht wirst du die Audioaufnahme eurer Performance hier zeigen? Das Mischen wird sicher eine interessante Herausforderung, aber ich bin mir sicher, dass ihr das großartig hinbekommt.
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Vielen Dank, Rosie.
Ja, es war wirklich sehr spanned, das Konzert zu kreieren. Sowohl musikalisch, als auch visuell.
Die Musik werde ich auch hier veröffentlichen. Einen Großteil have ich schon gemischt – aber es sind auch wirklich sehr viele Spuren und die Aufnahmen sollen ja auch für Leute interessant sein, die nicht zu dem Konzert kommen konnten. Wir planen das ganze dieses Frühjahr zu veröffentlichen – als Download und auch als CD. Wenn es soweit ist, werde ich dazu hier etwas posten.
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Congratulations! All the best!
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Thank you.
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Forgot to say that I know it has been a while but I still wanted to send my congrats!
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That is very nice of you. Thanks again!
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[…] this release, we are currently working on the audio recording of our live performance, which we hope to release this spring. Additionally, we are continuing to develop an album […]
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[…] we released La Bête Noire (Alive), a live recording captured during our performance on September 8, 2024, at Atelierhaus Orber Straße in Frankfurt. That night, mockART was Christoph […]
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[…] the original studio version of the track, along with a live version recorded last year at the Rush Hour Kulturfestival, organised by the Heussenstamm Stiftung. That live performance captured something raw and […]
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