In Minimal Commodities, less becomes more. The images embrace simplicity, often dominated by wide swaths of negative space that heighten the impact of the few elements within them. Figures appear small and isolated — walking between high-rising buildings, waiting in the rain, or caught in the approach of a train. Sometimes the focus shifts to the quiet aftermath: the litter and remnants of human presence. Most works are presented in monochrome or with muted colors, enhancing the sense of restraint and stillness, though in certain scenes, touches of color break through, underscoring moments of significance amid the emptiness. The result is a minimalist visual language that leaves room for the viewer’s own interpretations.